Abstract: John Kenyon Chapman (1947-2009), known as Yonni, was a life-long social justice activist, organizer, and historian who focused his academic and social efforts on workers rights and African American empowerment in central North Carolina. Chapman was born in Shaker Heights, Ohio, in 1947; graduated from Harvard University in 1969; and then moved to Atlanta, Ga., to join the fight for African American equality. He relocated to North Carolina in 1975 and worked as a laboratory technician at the North Carolina Memorial Hospital for about ten years. During this time, Chapman became active in local social justice struggles and community organizations. He helped organize his coworkers against unfair working conditions, became involved with the Communist Workers Party, and participated in African liberation and anti-apartheid struggles. Chapman was a survivor of the Greensboro Massacre of 1979. Throughout the 1980s, he was active in progressive social justice campaigns. In the 1990s and 2000s, Chapman was a graduate student at the University of North Carolina at Chapel Hill, where he focused his activism and academic work on historical accuracy, African American empowerment, and civil rights education in and around Chapel Hill. During this time, Chapman founded and directed two racial and social justice organizations: the Freedom Legacy Project in 1995 and the Campaign for Historical Accuracy and Truth in 2005. From 2002 to 2005, Chapman ran a successful campaign to abolish the Cornelia Phillips Spencer Bell Award on campus, an action that opened a dialogue about the history of slavery and racism on campus. After a 30-year battle with cancer, Chapman died on 22 October 2009 in Chapel Hill. The collection documents Yonni Chapman’s social activism and academic activities, covering nearly four decades of progressive racial, social, and economic justice struggles in central North Carolina. Organizational correspondence, notes, newsletters, and reports document the activities of the Communist Workers Party, the Federation for Progress, the Orange County Rainbow Coalition of Conscience, the New Democratic Movement, the Freedom Legacy Project, and the Campaign for Historical Accuracy and Truth, among other organizations on the University of North Carolina at Chapel Hill campus and in Chapel Hill, Durham, Raleigh, and Greensboro. Workers rights and racial justice campaigns and commemorations, including the Greensboro Massacre and the campaign to end the Cornelia Phillips Spencer Bell Award on campus, are documented in paper, audio, visual, and photographic formats. Photographs, slides, contact prints, photographic negatives, posters, banners, signs, and screen-printed t-shirts, chiefly created by Chapman, document a variety of demonstrations, meetings, and social justice events. Audio and video materials, largely created by Chapman include documentaries, meetings, speeches, and demonstrations captured on audio cassettes, VHS tapes, 8mm video cassettes, and DVDs. Research materials for Chapman’s graduate doctoral work include audio and paper files of interviews with participants in the Chapel Hill civil rights movement. There are also audio files recorded by Chapman on a digital voice recorder in the year leading up to his death that contain lengthy discussions with local activists about continuing his social justice work after his death; audio recordings and a video photograph montage from Chapman’s 2009 memorial service; photographs of Chapman with friends and family; and other items.

Repository: Southern Historical Collection

Collection Highlights: Of particular note are the materials related to the Communist Party in Series 1, as well as materials documenting the Greensboro Massacre that took place at an anti-Klan Rally in 1970. Series 6 also contains materials related to numerous social justice and civil rights organizations that Yonni Chapman was involved in, including the Chapel Hill- Carrboro chapter of the NAACP. Subseries 7.1 contains audio recordings of oral histories interviews Yonni conducted with participants in the black freedom struggle and civil rights movement in Chapel Hill. There are also photographs and audio of numerous civil rights demonstrations, events, and programs.

Abstract: The Southern Governors’ Association, formerly the Southeastern Governors’ Conference, is a regional association of state governors that was founded in 1934 to represent the common interests of chief executives of the southern states and to provide a vehicle for promoting those interests. The collection consists of annual meeting transcripts and programs, annual reports, and other related publications. Materials span 1983-2010 and cover such topics as aging, agriculture, banking, business, climate change, diversity and race issues, drug prevention, economic development trends, education, emergency response management, energy, environmental concerns, finance, globalization, government, health care, infant mortality, housing and urban development, immigration, industry regulation, international relations with Latin American and African nations, national and international politics, poverty, the prison system, regional challenges and cooperation, technology, tourism, trade, transportation, and welfare reform. Annual meeting speakers include southern governors and other politicians, academicians, and military and business leaders.

Repository: Southern Historical Collection

Collection Highlights: Materials in the collection cover a vast number of topics, including race relations and diversity. Annual Meetings discuss issues such as race and diversity (Folders 28-29) and include prominent African American politicians as speakers, including Marian Wright Edelman and Andrew Young. Folder 84 also contains a 1993 report on the “African Heads of State” summit for that year.

Abstract: The Lewis family arrived in Raleigh, N.C., in 1923, when John D. Lewis Sr. took a job as a district manager for North Carolina Mutual Life Insurance Company of Durham, N.C. He and his wife, Luella Alice Cox Lewis, and their two children, J.D. Lewis (John D. Lewis Jr.) (1919-2007) and Vera Lewis Embree (1921-2004), lived in southeast Raleigh and were members of First Baptist Church. J.D. Lewis was a Morehouse College graduate, one of the first African American members of the United States Marine Corps, and the first African American radio and television personality, corporate director of personnel, and director of minority affairs for WRAL of the Capitol Broadcasting Company (CBC). J.D. Lewis also worked as the special markets representative for the Pepsi Cola Bottling Company; as the project director of GROW, Incorporated, a federally funded program for high school dropouts; and as the coordinator of manpower planning for the state of North Carolina. Lewis was active in many civic and community organizations as well. Vera Lewis Embree (1921-2004) graduated from the Palmer Institute for Young Women and Hampton Institute. She built a successful and celebrated career as a choreographer and professor of dance at the University of Michigan. The collection consists of papers, photographs, and audiovisual materials that chiefly relate to J.D. Lewis’s working life and the civic and community organizations he supported. Lewis’s career is documented by materials from Capitol Broadcasting Company, including editorials he wrote and produced; GROW, Incorporated; Manpower; Pepsi-Cola Bottling Company; National Association of Market Developers; and the National Business League. Lewis’s civic leadership is evident in records of the Raleigh Community Relations Committee, which worked to integrate Raleigh public schools; political campaigns; and the Team of Progress, a group interested in political leadership at the city and county levels of government. Community organizations represented in the collection include the Garner Road YMCA; Alpha Kappa Alpha Debutante Ball; the Eastside Neighborhood Task Force; the Citizens Committee on Schools; Omega Psi Phi; and Meadowbrook Country Club, which was founded in 1959 by a small group of African American community leaders. Other materials document the Method Post Office dedication in 1965; the Montford Point Marine Association; and a youth charrette, possibly on integration of Durham schools. There are also clippings and printed materials on such topics as black power, African American history, Morehouse College, and Shaw University. There are several issues of Perfect Home, a home design and decorating magazine published by John W. Winters, a real estate broker, home builder, city councilman, state senator, and civic leader. Family materials are mainly biographical and include newspaper clippings, funeral programs, school materials, awards and certificates, and photographs. There are a few family letters, including one from 1967 with a first-hand account of rioting on Twelfth Street in Detroit and a copy of a 10 January 1967 letter in which the Lewis family opposed the selection of Mark Twain’s Mississippi Melody for student performance on the grounds that it perpetuated stereotyped images of African Americans. Photographs include portraits and snapshots of four generations of the Lewis and related Cox families, documenting family life from the 1910s through the 2000s. There are non-family group portraits of Omega Psi Phi members of Durham, North Carolina Mutual Life Insurance Company employees on its 21st anniversary, and of unidentified groups at other civic and community events. There is one folder of J.D. Lewis photographs that depict him in various work contexts. Also included is a portrait of a young Clarence Lightner, who owned a funeral home business and later served as the first African American mayor of Raleigh. Audiovisual materials chiefly relate to J.D. Lewis’s work at Capitol Broadcasting Company/WRAL and his interest in African American community and history. Included are audiotapes of his editorials for WRAL; videotape of Harambee, a public affairs program about the concerns of the general public and especially African Americans; audiotape of musical performances, possibly for Teen-Age Frolic, a teenage dance and variety show; audiotape of Adventures in Negro History, an event sponsored by Pepsi-Cola Bottling Company of Raleigh; and film of unidentified wedding and seashore scenes. Also included are several published educational film strips on African American history with accompanying audio.

Repository: Southern Historical Collection

Collection Highlights: Of particular note are the letters J.D. Lewis received from musicians and students desiring to appear on Teen-Age Frolic, the dance/variety show Lewis hosted on WRAL (Folder 140). There are also numerous editorials Lewis did during his years as a broadcaster, on a variety of topics (Folders 21-140). Additionally, there is corresponding audio for many of these transcripts (See Series 3).

Folder 16 also contains a 1967 letter with a first-hand account of the rioting in Detroit and a copy of a 10 January 1967 letter in which the Lewis family opposed the selection of Mark Twain’s Mississippi Melody for a school-wide student performance on the grounds “it will by no means further relationships in an integrated situation, where students as a whole, do not have a sufficient background or appreciation of Negro History to comprehend this as perhaps an exaggerrated situation of a particular and past era, but rather, would perpetuate an image already deeply established as stereotyped.”

There are also numerous photographs of the Lewis and Cox Family, including J.D. and Vera Lewis’s father during his time at Morehouse College. There are also photographs of J.D. Lewis on the set of Teen-Age Frolic, introducing different bands, and at different community events (Image folders 1-10).

Abstract: Daniel Hubbard Pollitt (1921-2010) was a law professor, civil liberties lawyer, progressive activist, and staunch advocate and defender of civil liberties and civil rights. The collection documents Daniel H. Pollitt’s legal career and his scholarly and public service interests and activities. The bulk of the collection consists of Pollitt’s subject files. Major topics include ABSCAM and other congressional ethics controversies; amnesty for draft dodgers and deserters; planning a law school with a focus on public service; civil rights, especially school desegregration and employment discrimination; the death penalty in North Carolina; government employee strikes; self-incrimination and the House Un-American Activities Committee, especially with regard to Lillian Hellman and Arthur Miller; Hobby v. United States, a case about grand jury foreman selection that Pollitt argued before the United States Supreme Court; impeachment; labor, especially the reorganization of the National Labor Relations Board, migrant workers, and the Brookside Mine Strike in Harlan County, Ky.; the North Carolina speaker ban; and Supreme Court nominations. Numerous other topics are covered in these files, many of which concern narrower aspects of constitutional law, such as separation of church and state and search and seizure. Subject files also document long collaborations with a number of legal scholars, civil liberties attorneys, and government officials, including Congressman Frank Thompson, as well as Pollitt’s work with academic associations, government agencies, and civil liberties and civil rights groups, and his teaching career and his service to the University of North Carolina. Other smaller series in the collection include Biographical Materials; Correspondence and People Files, which refer to legal cases, writings, and career activities and developments of Pollitt and others, including Joseph L. Rauh Jr., Henry Edgerton, and H.L. Mitchell; Writings, which overlap considerably with the Subject Files; and Photographs, which are chiefly of Pollitt.

Repository: Southern Historical Collection

Collection Highlights: There are a number of materials that deal with civil rights, civil liberties, employment discrimination, and social justice in this collection. Folder 86 contains correspondence regarding Pollitt’s analysis of school desegregation legislation in Arkansas. Folder 105 contains correspondence with Julius Chambers, former chancellor of North Carolina Central University.

Speech topics include the KKK and the Lumbee Indians (Folder 186), racial discrimination in employment practices (Folder 198) , and legal issues in school desegregation in the South (Folder 192). There are also various subject files related to African American history and civil rights organizations in Chapel Hill (Folders 325, 331). Several subject files deal with civil rights issues in Chapel Hill and throughout the South (Folders 337-350). There are also numerous files related to the death penalty in North Carolina, including discussions of race and subject files related to particular individuals (see Folders 618-740).

 

Abstract: Howell Begle is an entertainment and media lawyer and long-time activist on behalf of early rhythm and blues recording artists. In 1982, Begle met Ruth Brown, recording artist with the Atlantic Recording Corporation in the 1940s and 1950s, who had had difficulty securing royalty payments. He agreed to represent her pro bono against the recording company. Over time, his list of pro bono clients grew to more than 30 artists who had recorded for Atlantic. Begle was also a major figure in the Rhythm & Blues Foundation, founded in 1988 in Washington, D.C., with $1.5 million in initial funding from Atlantic in partial fulfillment of a legal settlement with Brown and others represented by Begle. The collection includes detailed royalty statements from the Atlantic Recording Corporation that document payments to Ruth Brown, 1955-1964. There are also copies of contracts and correspondence related to royalty payments owed to other artists who recorded for Atlantic and other labels during the 1950s and 1960s, among them Nellie Lutcher, Jimmy Scott, Joe Turner, Harry Van Walls, the Clovers, the Coasters, and the Drifters. Also included are legal documents, articles of incorporation, correspondence, news articles, and other materials relating to the formation and administration of the Rhythm & Blues Foundation; scattered correspondence between Begle and Atlantic executives, including Ahmet Ertegun, Jerry Wexler, Michael Resnick, and Sheldon Vogle, documenting negotiations leading to the royalty settlement of 1988; correspondence with musicians involved in the Foundation, particularly board member Bonnie Raitt; letters relating to Begle’s dissatification with and 1998 resignation from the Rhythm & Blues Foundation; photocopied news and periodical articles relating to Foundation; and calendars and promotional materials for the Foundation, some relating to the Foundation’s annual award ceremony. Other items include Billboard chart research documents, 1950s-1960s; a chronology documenting efforts to reform royalty payment accounting at Atlantic Records, 1983-1993; programs from Ruth Brown’s memorial service in 2006; correspondence with activists including Jesse Jackson, politicians including Congressmen John Conyers Jr. and Dennis J. Kucinich, and members of the American Federation of Television and Radio Artists (AFTRA); and 45rpm, 78rpm, and LP record albums collected by Begle.

Repository: Southern Folklife Collection

Collection Highlights: Series 1 contains correspondence, contracts, and news clippings related to Begle’s work with the Rhythm and Blues Foundation, which included a number of African American musicians such as Ruth Brown and the Drifters.

Folders 7-10 also contain correspondence with political activists such as Jesse Jackson as well as Democratic representative John Conyers.

Series 2 (Audio Recordings) also contain Begle’s personal collection of albums, which include records by Bessie Smith and B.B. King.

Abstract: During the 1950s and 1960s, collector, folklorist, and traditional music performer Mike Seeger recorded interviews and performances of many legendary old-time and bluegrass musicians.The collection consists of open reel tape and DAT audio recordings from 1955 to 2002, along with supporting logs and films. The audio recordings include both live performances and Seeger’s interviews with many notable bluegrass and old-time musicians; master tapes from various LP recording projects; and recordings of Seeger’s own band, the New Lost City Ramblers. Of particular interest are live concert recordings featuring such musicians as Tony Alderman, E. C. Ball, Dock Boggs, Buzz Busby, Alex Campbell and Ola Belle Reed, Maybelle Carter, Elizabeth Cotten, Sady Courville, Cousin Emmy, Hazel Dickens, Lester Flatt and Earl Scruggs, Roscoe Holcomb, Mississippi John Hurt, Tommy Jarrell, the Jim Kweskin Jug Band, Grandpa Jones, the Lilly Brothers, the Louvin Brothers, Carl Martin and Ted Bogan, Dennis McGee, Sam McGee and Kirk McGee (the McGee Brothers), Bill Monroe and Charlie Monroe (the Monroe Brothers), the Osborne Brothers, Don Reno, Marc Savoy, Red Smiley, Kilby Snow, the Stanley Brothers, Ernest V. Stoneman, J. C. Sutphin, Merle Travis, Wade Ward, Mac Wiseman, and the New Lost City Ramblers. Also includied are recordings of various performances and workshops at festivals, including the American Old-Time Music Festival, the Bean Blossom Music Festival, and the Culpeper Music Festival. There are also recordings from the New Lost City Ramblers’ European tour with Adam Landrenau and Cyp Landrenau, Cousin Emmy, and the Stanley Brothers. Performances were recorded at large and small venues, including New River Ranch near Rising Sun, Md.; Sunset Park, Pa.; and the Union Grove Fiddlers Convention in North Carolina. Seeger recorded in-depth interviews with many musicians, including Clarence Tom Ashley, the Benfield Family, Dock Boggs, Charlie Bowman, Maybelle Carter, Tommy Jarrell, Kirk McGee, Sam McGee, Eck Robertson, Leslie Riddle, Kilby Snow, Ernest V. Stoneman, and Wade Ward. Of particular interest is Seeger’s interview with Columbia Records talent scout Frank Walker. Other New Lost City Ramblers recordings include raw tracks and master tapes for the group’s albums; live recordings at folk festivals, colleges, and other venues; and band meetings. Supporting documentation includes Seeger’s logs for all of the audio recordings and an artist index. The Addition of February 2003 contains films of Mike Seeger and other musicians, including films of an old-time music workshop in 1977 and an interview with Mike Seeger. The Addition of July 2009 contains audio recordings featuring many of the musicians already represented in the collection and others, including Eddie Adcock, Howard Armstrong, Kenny Baker, the Balfa Brothers, Dewey Balfa, Ted Bogan, Hylo Brown, Vassar Clements, Sady Courville, Kyle Creed, Bobby Durham, Flick Flaharty, Alice Gerrard, the Goins Brothers, Ted Gossett, Sarah Gunning, Bill Harrell, Doc Hopkins, Tommy Jarrell, Lily May Ledford, Tex Logan, Carl Martin, Jimmy Martin, Dennis McGee, Melvin Robinette, Montana Slim, Ralph Stanley, Carl Story, Tut Taylor, Doc Watson, Nimrod Workman, and others. The addition also contains recordings of Mike Seeger’s interviews with musicologist Charles Seeger. The Addition of May 2010 includes video footage from Seeger’s documentary project, “Talking Feet.”

Repository: Southern Folklife Collection

Collection Highlights: This collection features several recordings of African American artists, as well as discussions of interactions between white and black musicians.

There are live performances of folk singer Elizabeth Cotten [Audiotape FT-3754; FT-3756];  country blues singer Mississippi John Hurt (who was recorded in the 1930s, and rediscovered in the 1960s).

There are also recordings of African American Appalachian string musicians Carl Martin and Ted Bogan [Audiocassette FS-9655; 9656; 9658-60; 9689-90; 9694; 9696]

There are also a number of Caucasian musicians who describe being influenced by African American musical traditions, such as the Seeger’s own band the New Lost City Ramblers [See Series 1: Audio Recordings, 1955-2002] , as well as the Jim Kweskin Jug Band [Audiotape FT-5704].

There are also a number of interviews, including from Maybell Carter [Audiotape FT-8821], Clarence Tom Ashley [Audiotape FT-5582], and Dock Boggs [Several recordings, including Audiotape FT-5603 thru FT-5611] discussing the influence of African American musicians on their music.

Mike Seeger’s documentary “Talking Feet” is available online through the SFC on Folkstreams. Click here to access the film and see other documentaries.

Abstract: Harvey E. Beech was born in Kinston, N.C., in 1923. He was a lawyer, philanthropist, and advocate of civil rights. While studying law in the early 1950s, Beech was asked to join a case against the University of North Carolina School of Law. In 1951, after a lengthy court battle, Beech and four other students became the first African Americans admitted to the UNC law school. He graduated in June 1952 and went on to practice law for more than 35 years. Harvey Beech died in August 2005. The collection includes letters and an student notebook from an English class. The notebook, with some pages dated 1939, includes a variety of coursework activities and exercises. Letters include a few addressed to Harvey Beech, 1980-1981, expressing gratitude for Beech’s campaign support for President Jimmy Carter and North Carolina Governor Jim Hunt; a few offering congratulations on Beech’s being chosen as “Citizen of the Year” in Kinston-Lenoir County; a 2002 letter thanking Beech and his wife for their contributions to the Free Press Newspaper in Education Literacy Program; and a 2004 letter thanking them for contributions to Bennett College.

Repository: Southern Historical Collection

Collection Highlights: Related collections on education and desegregation at UNC Chapel Hill include the J Kenneth Lee papers (4782), Karen Parker Papers (5275-z), Leroy Frasier Papers (4375-z), and the Floyd McKissick Papers (4930)

Abstract: Billy Brown Olive of Durham, N.C., is a North Carolina attorney who specializes in patent and intellectual property law. In 1957, he established Olive & Olive, the first patent law firm to serve the Research Triangle Park area, and taught proprietary and engineering law classes at the Duke School of Engineering and the School of Product Design at North Carolina State University. For more than 40 years, Olive was involved in civic affairs, specifically those relating to the environment and environmental racism. Locally, he was involved in the opposition to specific routes of Interstate 40 in Orange County, N.C., serving as coordinator with Opposition to I-40 in Orange County. He also opposed the Eubanks Road landfill site in Orange County, N.C. and the East/West Expressway route through the historically African American Crest Street community in Durham, N.C. The collection includes materials on environmental and social issues of interest to Billy Brown Olive, specifically his opposition to the Interstate 40 construction through Orange County, N.C.; the proposed landfill site near Eubanks Road in Orange County; and the proposed extension of the East/West Expressway (North Carolina Highway 147) through the historically African American Crest Street community in Durham, N.C. Interstate 40 papers consist of Olive’s office files related to Interstate 40 construction through North Carolina, including correspondence, meeting minutes of the North Carolina Department of Transportation, newspaper clippings, maps of routes, and petitions. Landfill site materials relate to the proposed placement of an Orange County landfill near Eubanks Road in Orange County, and include court documents, letters of opposition written by Olive, newspaper clippings, landfill drawings, and publications and reports. Crest Street papers include correspondence; court documents, specifically those related to the Save Our Church and Community Committee of Durham; maps of Duke Forest; publications and reports; and additional correspondence relating to I-40 construction in Durham. Also included is material related to the Orange County Municipal Waste Project, chiefly consisting of correspondence of Olive with state and local officials, newspaper staff, educators, and the Landfill Owners Group, but also including studies and reports on waste management. There are a few related photographs scattered throughout the collection.

Repository: Southern Historical Collection

Collection Highlights: A number of the communities Mr. Olive worked with are African American, including the community on Crest Street. Series 3 contains correspondence, maps, and court proceedings relating to stopping the expansion of Interstate 40 through the Crest Street neighborhood.

Abstract: Southerners for Economic Justice (SEJ) was founded in 1976 during a successful campaign to help J. P. Stevens textile workers unionize. Since then, SEJ has focused on empowering the unemployed and working poor to develop community-based strategies to solve social problems associated with economic crisis. Records, 1977-2001, of Southerners for Economic Justice document the organization under the leadership of its first three directors: James Sessions, Leah Wise, and Cynthia D. Brown. Administrative records document the everyday operations and strategic planning of SEJ, as well as the organizational culture of a non-profit organization. Project and subject files document programmatic work, grassroots organizing, and related interests of the organization, especially unemployment due to plant closings, racist violence, environmental racism, shrinking union membership, contingent work, workplace health and safety reform, leadership training for minority women and youth, and literacy. Subject files also show collaboration with churches and like-minded organizations and grassroots activists at local, state, regional, national, and international levels to build and participate in support networks and coalition groups, including the Southeast Regional Economic Justice Network, among many others. Highlights of SEJ’s documented activist work include the J. P. Stevens campaign; the Schlage Lock campaign; the workers’ bill of rights for city employees of Durham, N.C.; Betrayal of Trust: Stories of Working North Carolinians, a report published in 1989 that documents workplace discrimination and wrongful firing of workers; the Hamlet, N.C., coalition for workplace safety reform; the Working Women’s Organizing Project; Youth for Social Change; and Voices of Experience, a collaborative group that advised and advocated for people experiencing welfare reform. Other materials include an extensive collection of economic and social justice newsletters and photographs, chiefly documenting SEJ meetings and events, but also showing Durham, N.C., scenes.

Repository: Southern Historical Collection

Collection Highlights: SEJ’s chief constituency during the 1980s was dislocated and marginalized workers, often low income or unemployed and injured women of color. Development of leadership and organizational skills in African American youth became a second focus later in the decade. Of note are the Project files (in Series 3.2). Of particular note in Series 3 (Records) are Box 20 – 23 [“Betrayal of Trust”], which contains documentation related to dislocated workers; Box 23 [“Black Workers for Justice” and “Center for Democratic Renewal”]. There is documentation on youth groups as well [Box 78]. Box 36 – 38 contains records on plant closings on how workers, including African Americans, were affected. Box 38 – 40 [“Racism and Violence”] contains information on numerous groups and topics, including the Ku Klux Klan killings in Greensboro.

Abstract: The Grigsby family of North Carolina and South Carolina; New Haven, Conn.; Detroit, Mich.; and Phoenix, Ariz., descend from Fred Grigsby (b. 1867), the son of a former slave. The Grigsby family papers consist of correspondence and invitations, funeral and school materials, newspaper clippings and other printed biographical material, photographs, and other materials documenting the Grigsby family, especially publicist, civil rights activist, and editor Snow F. Grigsby, artist and art educator J. Eugene Grigsby (Gene), school principal J. E. Grigsby and school teacher Purry Leone Dixon Grigsby, and the family of teacher Miriam Grigsby Bates. Educational achievement is the central theme of the collection, in evidence in transcripts, diplomas, and photographs of family members receiving degrees. Other education-related materials include a letter from one Grigsby generation to the next providing personal insights on Langston Hughes for a research paper; a 1938 photograph of Purry Leone Dixon Grigsby teaching in a Biddleville (Charlotte, N.C.) elementary school classroom; and a small amount of material relating to the School Workers Federal Credit Union, which was founded in 1941 in Charlotte, N.C., by J. E. Grigsby, for African American teachers and employees of the public school system. Also of note are a 1942 living letter recorded at a USO Club; a 1980 letter that included a then-confidential list of the Detroit chapter of Tuskegee Airmen; a copy of a 1980 letter from Snow F. Grigsby to fellow Republican Strom Thurmond on racism, politics, and the economy; a CORE sit-in songs (Congress of Racial Equality) booklet; and the 1942 program for the women’s West End Book Club of Charlotte, N.C.

Repository: Southern Historical Collection