Abstract: The Grigsby family of North Carolina and South Carolina; New Haven, Conn.; Detroit, Mich.; and Phoenix, Ariz., descend from Fred Grigsby (b. 1867), the son of a former slave. The Grigsby family papers consist of correspondence and invitations, funeral and school materials, newspaper clippings and other printed biographical material, photographs, and other materials documenting the Grigsby family, especially publicist, civil rights activist, and editor Snow F. Grigsby, artist and art educator J. Eugene Grigsby (Gene), school principal J. E. Grigsby and school teacher Purry Leone Dixon Grigsby, and the family of teacher Miriam Grigsby Bates. Educational achievement is the central theme of the collection, in evidence in transcripts, diplomas, and photographs of family members receiving degrees. Other education-related materials include a letter from one Grigsby generation to the next providing personal insights on Langston Hughes for a research paper; a 1938 photograph of Purry Leone Dixon Grigsby teaching in a Biddleville (Charlotte, N.C.) elementary school classroom; and a small amount of material relating to the School Workers Federal Credit Union, which was founded in 1941 in Charlotte, N.C., by J. E. Grigsby, for African American teachers and employees of the public school system. Also of note are a 1942 living letter recorded at a USO Club; a 1980 letter that included a then-confidential list of the Detroit chapter of Tuskegee Airmen; a copy of a 1980 letter from Snow F. Grigsby to fellow Republican Strom Thurmond on racism, politics, and the economy; a CORE sit-in songs (Congress of Racial Equality) booklet; and the 1942 program for the women’s West End Book Club of Charlotte, N.C.

Repository: Southern Historical Collection

Abstract: Transcriptions of interviews in the Oral Histories of Low Income and Minority Women project of the Southwest Institute for Research on Women at the University of Arizona in collaboration with the Schlesinger Library on the History of American Women at Radcliffe College with funding from the Ford Foundation. The fifty-six interviews, with transcriptions ranging in length from 17 to over 2,000 pages, were conducted by Fran Leeper Buss during the 1970s and 1980s. Interviewees, some of whom chose to remain anonymous, include three Asian-Americans, twelve African-Americans, and six Native-Americans. The women resided in fourteen states: Alabama, Georgia, Mississippi, and Texas in the South; Arizona, California, New Mexico, and Wyoming in the West; Illinois, Minnesota, and Wisconsin in the Midwest. Appalachia is represented by women from Kentucky and Tennessee. The subjects covered document all aspects of these women’s lives–their personal lives, their attitudes and interactions with members of their families and others in their communities, and their feelings about their status at the time of the interview and about their prospects for the future. An extensive subject index is provided. The Library of the University of North Carolina at Chapel Hill is one of seven depositories for this material; the original tapes and other materials are housed at the Schlesinger Library.

Repository: Southern Historical Collection

Abstract: Jefferson Eugene Grigsby Jr., African American artist and art educator, was born in Greensboro, N.C., on 17 October 1918. Grigsby attended Johnson C. Smith University in Charlotte, N.C., then Morehouse College in Atlanta, Ga., graduating with a degree in art in 1938. During this time, he studied under the painter Hale Woodruff. From 1938 to 1939, he studied at the American Artists School in New York, where he met prominent African American artists including Jacob Lawrence and Romare Bearden. In 1940, Grigsby received a master’s degree from Ohio State University, and in 1963, he received a doctorate in art education from New York University. From 1946 to 1966, Grigsby served as head of the art department at Phoenix Union High School in Phoenix, Ariz., and from 1966 to 1988, he was professor of art at Arizona State University in Tempe, Ariz. In 1943, Grigsby married Rosalyn Thomasena Marshall, with whom he had two sons. In 1958, he was one of six artists selected to represent the United States at the Brussels Universal and International Exposition, and in 1988, he was designated National Art Educator of the Year by the National Art Education Association. The collection contains papers, chiefly correspondence and related materials, pertaining to the life and work of J. Eugene Grigsby. Correspondence (which includes copies of some letters written by Grigsby) is generally of a professional nature, with some personal correspondence interspersed. It largely documents Grigsby’s career from when he lived in New York City to when he worked at Arizona State University. Letters are from artists, art professionals, and others; they discuss Grigsby’s work as an arts educator and artist; art shows he curated; his involvement with art activism groups such as COBA (Consortium of Black Organizations and Others for the Arts), which he founded in 1983; and other topics. There are also materials relating to Grigsby’s masters and doctoral work, finances, and high school art shows, as well as playbills, scripts, invitations, and other items.

Repository: Southern Historical Collection